Flavia is enjoying the summer, spending her days punting along the river with her reluctant family. Languishing in boredom, she drags a slack hand in the water, and catches her fingers in the open mouth of a drowned corpse. Brought to shore, the dead man is found to be dressed in blue silk with ribbons at the knee, and wearing a single red ballet slipper. Flavia needs to put her super-sleuthing skills to the test to investigate the murder of three gossips in the local church, and to keep her sisters out of danger. But what could possibly connect the son of an executed killer, a far too canny police constable, a travelling circus, and the publican's mysteriously talented wife?

Flavia de Luce, a dangerously smart eleven-year-old with a passion for chemistry and a genius for solving murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? Does the madwoman who lives in Gibbet Wood know more than she’s letting on? What about Porson’s charming but erratic assistant? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head?

To Flavia the investigation is the stuff of science: full of possibilities, contradictions, and connections. Soon her father, a man raising his three daughters alone, is seized, accused of murder. And in a police cell, during a violent thunderstorm, Colonel de Luce tells his daughter an astounding story—of a schoolboy friendship turned ugly, of a priceless object that vanished in a bizarre and brazen act of thievery, of a Latin teacher who flung himself to his death from the school’s tower thirty years before. Now Flavia is armed with more than enough knowledge to tie two distant deaths together, to examine new suspects, and begin a search that will lead her all the way to the King of England himself. Of this much the girl is sure: her father is innocent of murder—but protecting her and her sisters from something even worse...

Award-winning author Alan Bradley returns with another beguiling novel starring the insidiously clever and unflappable eleven-year-old sleuth Flavia de Luce. The precocious chemist with a passion for poisons uncovers a fresh slew of misdeeds in the hamlet of Bishop's Lacey--mysteries involving a missing tot, a fortune-teller, and a corpse in Flavia's own backyard. Flavia had asked the old Gypsy woman to tell her fortune, but never expected to stumble across the poor soul, bludgeoned in the wee hours in her own caravan. Was this an act of retribution by those convinced that the soothsayer had abducted a local child years ago? Certainly Flavia understands the bliss of settling scores; revenge is a delightful pastime when one has two odious older sisters. But how could this crime be connected to the missing baby? Had it something to do with the weird sect who met at the river to practice their secret rites? While still pondering the possibilities, Flavia stumbles upon another corpse--that of a notorious layabout who had been caught prowling about the de Luce's drawing room. Pedaling Gladys, her faithful bicycle, across the countryside in search of clues to both crimes, Flavia uncovers some odd new twists. Most intriguing is her introduction to an elegant artist with a very special object in her possession--a portrait that sheds light on the biggest mystery of all: Who is Flavia? As the red herrings pile up, Flavia must sort through clues fishy and foul to untangle dark deeds and dangerous secrets.

On a cold, dark winter day during the Second World War, a young Alan Bradley found hidden beneath a floorboard in his mother's bedroom closet a well-worn cardboard shoebox. At the time, he could make little sense of the ragtag things he found inside: cigarette packages, soup can labels, handbills, calendars, paper bags, pie boxes--any scrap of paper upon which his mother could copy out, in her old-fashioned handwriting, what seemed to be no more than unrelated snippets of Scripture. He only knew that the box, which he would later come to think of as the Shoebox Bible, had something to do with the fact that his father had run away from home. Many years would pass, and his mother would be on her deathbed before he would once again hold this treasure in his hands. And only then would he put together the pieces of the puzzle, and learn the complete truth. Beautifully and lovingly told, The Shoebox Bible is a...

Hailed as “a combination of Eloise and Sherlock Holmes” by The Boston Globe, Flavia de Luce returns in a much anticipated new Christmas mystery from award-winning and New York Times bestselling author Alan Bradley. In spite of being ejected from Miss Bodycote’s Female Academy in Canada, twelve-year-old Flavia de Luce is excited to be sailing home to England. But instead of a joyous homecoming, she is greeted on the docks with unfortunate news: Her father has fallen ill, and a hospital visit will have to wait while he rests. But with Flavia’s blasted sisters and insufferable cousin underfoot, Buckshaw now seems both too empty—and not empty enough. Only too eager to run an errand for the vicar’s wife, Flavia hops on her trusty bicycle, Gladys, to deliver a message to a reclusive wood-carver. Finding the front door ajar, Flavia enters and stumbles upon the poor man’s body hanging upside down on the back of his bedroom door. The only living creature in the house is a feline that shows little interest in the disturbing scene. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. It’s amazing what the discovery of a corpse can do for one’s spirits. But what awaits Flavia will shake her to the very core. Acclaim for Alan Bradley’s beloved Flavia de Luce novels, winners of the Crime Writers’ Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Award, and Arthur Ellis Award

BONUS: This edition contains a The Sweetness at the Bottom of the Pie discussion guide and an excerpt from Alan Bradley's The Weed That Strings the Hangman's Bag.It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”Amazon.com ReviewAmazon Best of the Month, April 2009: It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions—stamp collecting, adventure novels, and boys respectively—Flavia takes off on her trusty bicycle Gladys to catch a murderer. In Alan Bradley's critically acclaimed debut mystery, The Sweetness at the Bottom of the Pie, adult readers will be totally charmed by this fearless, funny, and unflappable kid sleuth. But don't be fooled: this carefully plotted detective novel (the first in a new series) features plenty of unexpected twists and turns and loads of tasty period detail. As the pages fly by, you'll be rooting for this curious combination of Harriet the Spy and Sherlock Holmes. Go ahead, take a bite. --Lauren NemroffA Q&A with Alan Bradley Question: With the publication of The Sweetness at the Bottom of the Pie, you’ve become a 70-year-old-first time novelist. Have you always had a passion for writing, or is it more of a recent development? Alan Bradley: Well, the Roman author Seneca once said something like this: “Hang on to your youthful enthusiasms--you’ll be able to use them better when you’re older.” So to put it briefly, I’m taking his advice.I actually spent most of my life working on the technical side of television production, but would like to think that I’ve always been a writer. I started writing a novel at age five, and have written articles for various publications all my life. It wasn’t until my early retirement, though, that I started writing books. I published my memoir, The Shoebox Bible, in 2004, and then started working on a mystery about a reporter in England. It was during the writing of this story that I stumbled across Flavia de Luce, the main character in Sweetness.Q: Flavia certainly is an interesting character. How did you come up with such a forceful, precocious and entertaining personality?AB: Flavia walked onto the page of another book I was writing, and simply hijacked the story. I was actually well into this other book--about three or four chapters--and as I introduced a main character, a detective, there was a point where he was required to go to a country house and interview this colonel.I got him up to the driveway and there was this girl sitting on a camp stool doing something with a notebook and a pencil and he stopped and asked her what she was doing and she said “writing down license number plates“ and he said “well there can't be many in such a place“ and she said, “well I have yours, don’t I? “ I came to a stop. I had no idea who this girl was and where she came from.She just materialized. I can't take any credit for Flavia at all. I’ve never had a character who came that much to life. I’ve had characters that tend to tell you what to do, but Flavia grabbed the controls on page one. She sprung full-blown with all of her attributes--her passion for poison, her father and his history--all in one package. It surprised me.Q: There aren’t many adult books that feature child narrators. Why did you want Flavia to be the voice of this novel?AB: People probably wonder, “What’s a 70-year-old-man doing writing about an 11-year-old-girl in 1950s England? “ And it’s a fair question. To me, Flavia embodies that kind of hotly burning flame of our young years: that time of our lives when we’re just starting out, when anything--absolutely anything!--is within our capabilities. I think the reason that she manifested herself as a young girl is that I realized that it would really be a lot of fun to have somebody who was virtually invisible in a village. And of course, we don’t listen to what children say--they’re always asking questions, and nobody pays the slightest attention or thinks for a minute that they’re going to do anything with the information that they let slip. I wanted Flavia to take great advantage of that. I was also intrigued by the possibilities of dealing with an unreliable narrator; one whose motives were not always on the up-and-up.She is an amalgam of burning enthusiasm, curiosity, energy, youthful idealism, and frightening fearlessness. She’s also a very real menace to anyone who thwarts her, but fortunately, they don’t generally realize it. Q: Like Flavia, you were also 11 years old in 1950. Is there anything autobiographical about her character?AB: Somebody pointed out the fact that both Flavia and I lacked a parent. But I wasn’t aware of this connection during the writing of the book. It simply didn’t cross my mind. It is true that I grew up in a home with only one parent, and I was allowed to run pretty well free, to do the kinds of things I wanted. And I did have extremely intense interests then--things that you get focused on. When you’re that age, you sometimes have a great enthusiasm that is very deep and very narrow, and that is something that has always intrigued me--that world of the 11-year-old that is so quickly lost.Q: Your story evokes such a vivid setting. Had you spent much time in the British countryside before writing this book?AB: My first trip to England didn’t come until I went to London to receive the 2007 Debut Dagger Award, so I had never even stepped foot in the country at the time of writing Sweetness. But I have always loved England. My mother was born there. And I‘ve always felt I grew up in a very English household. I had always wanted to go and had dreamed for many years of doing so. When I finally made it there, the England that I was seeing with my eyes was quite unlike the England I had imagined, and yet it was the same. I realized that the differences were precisely those differences between real life, and the simulation of real life, that we create in our detective novels. So this was an opportunity to create on the page this England that had been in my head my whole life.Q: You have five more books lined up in this series, all coming from Delacorte Press. Will Flavia age as the series goes on?AB: A bit, not very much. I think she’s going to remain in the same age bracket. I don’t really like the idea of Flavia as an older teenager. At her current age, she is such a concoction of contradictions. It's one of the things that I very much love about her. She's eleven but she has the wisdom of an adult. She knows everything about chemistry but nothing about family relationships. I don’t think she’d be the same person if she were a few years older. She certainly wouldn’t have access to the drawing rooms of the village.Q: Do you have a sense of what the next books in the series will be about?AB: The second book, The Weed That Strings the Hangman's Bag, is finished, and I’m working on the third book. I have a general idea of what’s happening in each one of the books, because I wanted to focus on some bygone aspect of British life that was still there in the '50s but has now vanished. So we have postage stamps in the first one... The second book is about the travelling puppet shows on the village green. And one of them is about filmmaking--it sort of harks back to the days of the classic Ealing comedies with Alec Guinness and so forth.Q: Not every author garners such immediate success with a first novel. After only completing 15 pages of Sweetness, you won the Dagger award and within 8 days had secured book deals in 3 countries. You’ve since secured 19 countries. Enthusiasm continues to grow from every angle. How does it feel?AB: It's like being in the glow of a fire. You hope you won't get burned. I’m not sure how much I’ve realized it yet. I guess I can say I‘m “almost overwhelmed”--I’m not quite overwhelmed, but I’m getting there. Every day has something new happening, and communications pouring in from people all over. The book has been receiving wonderful reviews and touching people. But Flavia has been touching something in people that generates a response from the heart, and the most often mentioned word in the reviews is love--how much people love Flavia and have taken her in as if she’s a long-lost member of their family, which is certainly very, very gratifying.(Photo © Jeff Bassett)From Publishers WeeklyFans of Louise Fitzhugh's iconic Harriet the Spy will welcome 11-year-old sleuth Flavia de Luce, the heroine of Canadian journalist Bradley's rollicking debut. In an early 1950s English village, Flavia is preoccupied with retaliating against her lofty older sisters when a rude, redheaded stranger arrives to confront her eccentric father, a philatelic devotee. Equally adept at quoting 18th-century works, listening at keyholes and picking locks, Flavia learns that her father, Colonel de Luce, may be involved in the suicide of his long-ago schoolmaster and the theft of a priceless stamp. The sudden expiration of the stranger in a cucumber bed, wacky village characters with ties to the schoolmaster, and a sharp inspector with doubts about the colonel and his enterprising young detective daughter mean complications for Flavia and enormous fun for the reader. Tantalizing hints about a gardener with a shady past and the mysterious death of Flavia's adventurous mother promise further intrigues ahead. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Murder! the letter says, Come at once. Anson House, Greyminster, Staircase No. 3. How can Flavia de Luce resist such an urgent plea? After all, examining a dead body sounds like a perfectly splendid way to spend a Sunday. So Flavia hops upon her trusted bicycle, Gladys, whose rubber tires hiss happily along the rainy road, and arrives at her father’s mist-shrouded old school. There, a terrified boy leads her to the loo where, sitting in a bathtub, is what appears to be a statue. But, no: To Flavia’s surprise, the thing is in fact a naked dead man. Save his face, he seems to have been carved out of copper. Never one to shy away from the macabre, Flavia gets to work—only to find that when an investigation begins with a metallic cadaver, ever more curious twists are to be expected.

New York Times bestselling author Alan Bradley has enchanted readers worldwide with one of the most award-winning mystery series ever. Featuring the irresistible, incorrigible eleven-year-old Flavia de Luce, whom the Chicago Sun-Times called "a delightful, intrepid, acid-tongued new heroine," the family de Luce lives on the once glorious, now crumbling estate of Buckshaw, in the bucolic English hamlet of Bishop's Lacey, where murder happens more than it should and the brilliant amateur detective (and dedicated poison enthusiast) spends equal time dodging her older sisters and solving the most ghastly of crimes. For a captivating introduction to Flavia's world, here's a convenient ebook bundle of the first three novels of this beguiling series: The Sweetness at the Bottom of the Pie, The Weed That Strings the Hangman's Bag, and A Red Herring Without Mustard. Includes an exclusive excerpt from Alan Bradley's forthcoming Flavia de...

It's Christmastime, and the precocious Flavia de Luce - an eleven-year-old sleuth with a passion for chemistry and a penchant for crime-solving - is tucked away in her laboratory, whipping up a concoction to ensnare Saint Nick. But she is soon distracted when a film crew arrives at Buckshaw, the de Luces' decaying English estate, to shoot a movie starring the famed Phyllis Wyvern. Amid a raging blizzard, the entire village of Bishop's Lacey gathers at Buckshaw to watch Wyvern perform, yet nobody is prepared for the evening's shocking conclusion: a body found, past midnight, strangled to death with a length of film. But who among the assembled guests would stage such a chilling scene? As the storm worsens and the list of suspects grows, Flavia must use every ounce of sly wit at her disposal to ferret out a killer hidden in plain sight.

Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the English hamlet of Bishop’s Lacey is busily preparing to open its patron saint’s tomb. Nobody is more excited to peek inside the crypt than Flavia, yet what she finds will halt the proceedings dead in their tracks: the body of Mr. Collicutt, the church organist, his face grotesquely and inexplicably masked. Who held a vendetta against Mr. Collicutt, and why would they hide him in such a sacred resting place? The irrepressible Flavia decides to find out. And what she unearths will prove there’s never such thing as an open-and-shut case.

A finger in a wedding cake is only the beginning in this deliciously shocking mystery featuring Flavia de Luce, "the world's greatest adolescent British chemist/busybody/sleuth" (The Seattle Times). Although it is autumn in the small English town of Bishop's Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce's sister Ophelia is at last getting hitched, like a mule to a wagon. "A church is a wonderful place for a wedding," muses Flavia, "surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar." Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, which has sharpened her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to...

Hard on the heels of the return of her mother’s body from the frozen reaches of the Himalayas, Flavia, for her indiscretions, is banished from her home at Buckshaw and shipped across the ocean to Miss Bodycote’s Female Academy in Toronto, her mother’s alma mater, there to be inducted into a mysterious organization known as the Nide. No sooner does she arrive, however, than a body comes crashing down out of the chimney and into her room, setting off a series of investigations into mysterious disappearances of girls from the school.

Amateur sleuth Flavia de Luce, along with her pestilent younger cousin, investigates the murder of a former public hangman and uncovers a secret that brings the greatest shock of her life.“I love the Flavia de Luce novels! Flavia is the best female detective I’ve ever read, full of realism, self-confidence, and emotion (in roughly equal parts), and her tales are hilarious, engaging, and occasionally heartbreaking.”—Diana Gabaldon, #1 New York Times bestselling author of the Outlander seriesFlavia de Luce has taken on the mentorship of her odious moon-faced cousin Undine, who has come to live at Buckshaw following the death of her mother. Undine’s main talent, aside from cultivating disgusting habits, seems to be raising Flavia’s hackles, although in her best moments she shows potential for trespassing, trickery, and other assorted mayhem. When Major Greyleigh, a local recluse and former hangman, is found...

On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train's arrival in the English village of Bishop's Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd... Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces' crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office - and making spectacular use of Harriet's beloved Gypsy Moth plane, Blithe Spirit - Flavia will do anything, even take to the skies, to land a killer.